Color transparencies of portraits by Trafford Klots

The papers in the Klots family papers span almost 100 years, from 1898 to 1983. The materials consist of exhibition catalogs, newspaper clippings, photographs, and some correspondence, and have been arranged within the framework of three series by individual and material type (discussed in more detail in the series description). There are materials concerning Alfred P. Klots, Agnes B. Klots, and Trafford Klots.

The collection mainly focuses on Trafford P. Klots and his career spanning from the 1950s to the 1970s. These are the dates during which Trafford was most active as an artist. Most of the materials are exhibition catalogs. However, Trafford kept a large number of news clippings related to his exhibitions and social appearances. Trafford had an active social life, as indicated by the area newspapers. Trafford’s personal records in this collection are limited. There are some notes regarding specific commissions and shows. There are numerous examples in the form of photographs and negatives of his work and the settings in which they were displayed.

Other significant dates within the collection are 1915-1918. During this time, Agnes Boone Klots was heavily involved in World War I. She spent time in France as a nurse to the wounded. Later, she offered the family chateau to the American government for use as a hospital. There are several letters documenting her role in the War, as well as an extensive scrapbook of war-related newspaper clippings.

There are several more general materials relating to Alfred and Agnes Klots. There is a written account of Alfred’s mother, Mrs. Brown, by Sophronia J. Funk of Illinois. From 1904, there are invitations to the Boone-Klots wedding, as well as newspapers that record the event. In addition, there are a few examples of Alfred’s works. These are both photographic and periodical materials.

The Klots Family Papers Supplement gives a perspective of society and the role of art in it. Both Alfred and Trafford painted portraits of members of high society. Trafford is especially well represented in this collection. The numerous examples of his work document the portrait style popular at the time.