Box 1
Container
Contains 114 Results:
Mary Martin and baby, undated
Series — Box: 1
Identifier: PP92.121-.122
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
Emma Meecham, undated
Series — Box: 1
Identifier: PP92.123-.124
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
Anna Mullikin, undated
Series — Box: 1
Identifier: PP92.125-.126
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
Anna Mullikin with Boy (dog), undated
Series — Box: 1
Identifier: PP92.127
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
Anna Mullikin and Dorothy Hewett, undated
Series — Box: 1
Identifier: PP92.128-.129
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
Anna Mullikin and Jean Fulton at house in Catonsville, undated
Series — Box: 1
Identifier: PP92.130-.131
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
Anna Mullikin, Jean Fulton, and unidentified woman at house in Catonsville, undated
Series — Box: 1
Identifier: PP92.132
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
Anna Mullikin and Nan at Nancy's Fancy, undated
Series — Box: 1
Identifier: PP92.133
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
Lizette Woodworth Reese, undated
Series — Box: 1
Identifier: PP92.134-.138
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
"The Rosary" (Annie Meecham), undated
Series — Box: 1
Identifier: PP92.139
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated