Box 1
Contains 36 Results:
From the Genesis of Reflection (block printing plate), 1967
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Variations on a Theme, 1974
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Untitled Portrait of a man, 1967
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Ignatius Loyola, 1962
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Dansk Stainless Steel Salad Tool, (photograph), undated
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Thought, 1974
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Song of Ruth, 1974
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
John the Baptist, 1974
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Vespers, 1976
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Variations on a Theme (lithographic plate), 1974
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”