Box 1
Contains 36 Results:
Thought (lithographic plate), 1974
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Meditation (lithographic plate), 1976
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Madonna of the Good Milk (lithographic plate), 1975
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
The Dreamer, 1978
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Egoism, 1976
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Paradise Lost, 1974
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Salome and the Head of John the Baptist, 1974
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Phallic Ballet, 1974
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Death of Venus, 1968
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”
Ode to the Sun, 1972
Much of St. Lawerence’s works are portraits and figures, often nudes, based on biblical sources. The 36 items in the collection are arranged in 9 folders and date from 1967 to 1977. The collection consists of 30 prints, 5 lithographic plates and a photograph of a silver spoon, which the artist described as “the only tool I have ever used to make Fine Art Prints.”