Box 1
Container
Contains 114 Results:
Emily Spencer Hayden, undated
File — Box: 1
Identifier: PP92.001
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
Emily Spencer Hayden, undated
File — Box: 1
Identifier: PP92.002
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
Emily Spencer (Hayden) and Katharine Constable Spencer (Alleman), undated
File — Box: 1
Identifier: PP92.003
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
Group portrait with Emily and Charles Hayden, 1889 November
File — Box: 1
Identifier: PP92.004
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
1889 November
Emily Spencer Hayden (Second from left), undated
File — Box: 1
Identifier: PP92.005
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
Charles Hayden, undated
File — Box: 1
Identifier: PP92.006-.008
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
Ruth Hayden (Wanzer), circa 1895-1920
File — Box: 1
Identifier: P92.009-.019
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
circa 1895-1920
Ruth Hayden (Wanzer) & friend, undated
File — Box: 1
Identifier: PP92.020-.021
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
Anna Mullikin, Ruth Hayden, and Jean Fulton, side porch, Nancy's Fancy, undated
File — Box: 1
Identifier: PP92.022
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated
Charles Wanzer, Ruth Wanzer, and Charles Robert Wanzer, undated
File — Box: 1
Identifier: PP92.023
Scope and Contents
From the Collection:
Hayden especially liked to take pictures of her daughters, female friends and family and their children. The collection includes a large number of portraits of her youngest daughter, Anna “Nan” Bradford Hayden, which document her growth from baby to young adulthood. Some of these photographs feature props, such as her teddy bear and a Brownie camera. Another often photographed subject is her family’s maid and former slave, Eliza “Mammy” Benson. The portraits depict Benson in domestic...
Dates:
undated